F especially transregional sorts of numinosity and sanctity. Likewise, the distinctive facture of both reliquaries resonated with Counter-Reformation lapidary and bodily models of hagiography, reifying the Pauline invocation (I Peter 2:4-8) of your saints as “living stones” pieced together like a mosaic into a virtual edifice, the Celestial Jerusalem, constructed from the bodies of the saints themselves and representative on the transhistorical institution in the Church founded on Christ as cornerstone, an Perospirone medchemexpress edifice simultaneously realized at the end of human history and current eternally beyond it (Tutino 2013; Noyes 2018). The Gozdawa-Giglio motif reappeared however once again on a significantly grander scale within a second reliquary developed for Cosimo inside the Medici Galleria to re-house Jagiellonczyk’s relic. (Figure 11). Conceived as a massive ostensory fabricated by Medici court goldsmith Massimiliano Soldani Benzi (1656740), the reliquary was completed by 1687, but required yet another year inside the gilder’s workshop (Guidetti 2012; Gennaioli and Sframeli 2014, pp. 2689; Maslauskaite-Mazyliene 2018, pp. 679).62 At an immense 85 cm higher, it toweredReligions 2021, 12, 1011 Religions 2021, 12, x FOR PEER REVIEW20 of 35 20 ofmore than twice the height of the amber casket it it replaced and over six times that the height with the amber casket replaced and over six occasions that of of additional than the diminutive monstrance for the Pazzi relics. contrast to the the Prussian workshop’s diminutive monstrance for the Pazzi relics. In In contrast to Prussian workshop’s palpalimpsestic S-297995 medchemexpress assemblage of counterfeit spolia, the Galleria’s work in 1687688 evinceda impsestic assemblage of counterfeit spolia, the Galleria’s operate in 1687688 evinced a markedly a lot more integrated physical and stylistic idea, although not with no personal memarkedly a lot more integrated physical and stylistic concept, although not without the need of its its own medievalizing archaisms, here translated intolate Baroque language ofof types rendered dievalizing archaisms, right here translated into a a late Baroque language types rendered in in supple silver and gold. supple silver and gold.Figure 11. Massimo Soldani Benzi and Grand Ducal Galleria, Reliquary of St. Kazimierz agielFigure 11. Massimo Soldani Benzi and Grand Ducal Galleria, Reliquary of St. Kazimierz Jagiellonczyk, loczyk, 1687688. Museo delle Medicee, Church Church of San Lorenzo, Florence. Image within the 1687688. Museo delle CappelleCappelle Medicee, of San Lorenzo, Florence. Image inside the public public domain. domain.It ought to be underscored, however, that in spite of becoming replaced, the very first amber reliIt need to be underscored, nonetheless, that regardless of getting replaced, the initial amber reliquary stayed within the Cappella delle Reliquie, exactly where it could possibly be contemplated together with quary stayed inside the Cappella delle Reliquie, where it could be contemplated with each other with its successor. This suggests that the precious Baltic casket remained worthwhile not just for its successor. This suggests that the precious Baltic casket remained important not just for its valuable materiality, exceptional facture, and ostensible oldness, but additionally a sacral or its valuable materiality, exceptional facture, and ostensible oldness, but in addition for for a sacral or numinous charge transferred and conserved inside the object’s very substance. This numinous charge transferred to to and conserved inside the object’s pretty substance.This translated the container it into a relic per se by virtue of contact using the.